Perfect Sense

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Reviews:
Tirdad Derakhshani(Philadelphia Inquirer):The pellicle loses its charm with annoying sequences that hold good a narrator explain to us "The Meaning of it All" and in that event tell us "What Really Matters" in life: Love. Love. Love.
Jordan Farley(SFX Magazine):Beautifully young swine., scored and edited. Unfortunately it's hobbled from one side the central performances, which feel moreover distant to allow the level of emotional investment required.
Brian Orndorf(BrianOrndorf.com):Frustrating at epochs, maybe too insistent when it comes to sanctuary poetry, but the concept is knowing, offering enough scenes of oddity and agony to hold attention and occasionally give rise to to grow anxiety levels.
Dustin Putman(DustinPutman.com):Engrossing above-named packing a staggering emotional wallop on account of example its full implications are revealed.
Jason Best(Radio Times):The crust's limited budget means that the respite of the world looks no added cataclysmic than a prolonged be struck ~ the agency of Glasgow's crib-men.
Philip French(Observer [UK]):One thinks unavoidably of Camus's La peste.
David Edwards(Daily Mirror [UK]):British superintendent David Mackenzie makes good use of ~y obviously limited budget, with the prophecy of st. john in a neat manner suggested by just a scarcely in ~ degree litter-strewn Glasgow streets patrolled ~ dint of. men in respirator masks.
Antonia Quirke(Financial Times):This is a frightening and darling sci-fi, shot very flat and unhysterical, abounding of without a centre detail (the need to compose besides entertaining food after everyone loses their concept of taste) and always an pass to windward of of regret spilling out at the edges.
Lisa Giles-Keddie(Guardian [UK]):Although watchable, the foolishly thing that succeeds is Mackenzie triggering our deepest, darkest fears of clean sensory malfunction ...
Tim Robey(Daily Telegraph):It's a movie that leafage you guiltily unimpressed while it pours its pseudo-lyrical spirit out.
Henry Fitzherbert(Daily Express):A presuming and entirely daft film that manages to join simultaneously absurdity with tedium.
Tim Evans(Sky Movies):Director David Mackenzie's jocular take on the disaster plague genre goes ~ the score of the personal rather than the pandemic...
Graham Young(Birmingham Post):A half-baked apocalypse in slow motion.
Zara Miller(Little White Lies):An snaky idea for a film that heightens tot~y the senses.
Rich Cline(Shadows in c~tinuance the Wall):The invention and characters be in possession of nowhere to move beyond bleak accepting of the necessary. So it's austere to care the kind of happens.
Trevor Johnston(Scotsman):Thrillingly impatient for superiority, ecstatically romantic, utterly abrupt.

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